Tag Archives: tera

I never worry about action, but only about inaction.

Oftentimes my thoughts are a sparkling variegated cloud of fractured conceptions and convictions, a myriad array of crystal-shard fish which attempt to coalesce around a central conclusion, but continually billow and implode as sharks of uncertainty dash with writhen voracity through their midst. Contemplating the whole is to draw a conclusion from the ideas reflected in a mirror ball of madness, yet picking out one thought is to isolate it from the rest, where its now-muted rainbow facets are more easily considered, but also more readily exposed to the gape-mawed predations of incertitude.

This certainly describes my state of mind when contemplating action combat in MMOs, specifically when contrasting the forms of combat found in Dungeons & Dragons Online, Tera and Guild Wars 2. I think I like Tera’s version best, then GW2’s, and finally DDO’s, but when I try to formulate a reason why, I end up chasing a conclusion around my head as a kitten chases a spot of reflected light, where each attempt to grasp it is more frantic and furious than the previous one, until at last I am so confused and demented by my fruitless efforts that I inadvertently attack myself and burst, in carpet-tearing panic, from my place on the floor. And later, Mrs Melmoth has to coax me out from behind the sofa with a scrap of cooked chicken.

It seems to me that what we mean by action combat in MMOs can be pared down into a few constituent forms: targeting, movement and reaction. Sometimes these forms overlap: movement out of an area of danger is often combined with the reaction of responding to an enemy’s telegraphed attack – the archetypal dodge mechanic. My kitten-like flailings around the topic were no closer to reaching illumination, as all three games provide similar combat mechanisms. There’s also the fact that I feel I don’t have enough experience with Guild Wars 2’s combat to compare it fully to Tera or DDO, because I’ve yet to try PvP or dungeon instances in GW2, in which I expect movement and reaction will be required to a much higher standard than in the early levels of the game.

I do think DDO –although still fabulously refreshing compared to traditional rock ’em sock ’em MMOs– loses out somewhat to the other two. It was the first of the three, of course, and thus has the disadvantage of time and technology having moved on, but I think its biggest constraint was that it had to marry action combat with the traditional dice-based system of D&D – more a shotgun wedding than a marriage of common interests.

Thus I’m still not sure why I prefer one style of action combat over another, what with them sharing similar core mechanisms. Perhaps, in the end, it’s ‘the whole package’ which sets one system apart – that it has become more than the sum of its parts in some ineffable way. Still, I’ll take comfort from the fact that I know one thing for certain: I really enjoy action combat in MMOs. I should probably try to experience other fine specimens; I’ve never bothered to play Vindictus, to my shame. Maybe with greater experience will come greater understanding, or maybe it will just be adding more fish to the shoal of my confusion; either way, I’m rather excited to see how this area of the MMO genre develops in the future, because, for me at least, it feels like a step along a new and exciting path.

Te-ra for now.

My time in Tera has come to an end for the time being, but I just wanted to make a quick post for all the dance fans out there. Here’s my Aman Slayer in the latest armour he’d been granted. Ooooo yeah. He just needs some fake tan and he’s all set to appear on Strictly Come Dancing, don’t you think? I’m sure someone somewhere thought it’d be fun to have Aman males look like they were the Hulk bursting out of a clown costume, but I have to say it wasn’t really a style that appealed to me.

<deepvoiceover>
“In the grim black darkness of the forest night, only one man stands against the forces of evil.

And he’s wearing a ruff.”
</deepvoiceover>

And for the squee zomg cute! fans out there: I already thought the Popori were a rather adorable race –although perhaps somewhat out of place set against the grim dark ruff-wearing races of Tera– but I think the zomgcute-o-meter almost broke a needle when I stumbled upon my first Popori youngling; reminds me somewhat of the Gibberlings from Allods, which is still the most deeply splendid concept for a playable race that I’ve experienced in an MMO to date.

I’ve definitely enjoyed my time in Tera, it was an experience worth having, and as Bhagpuss points out, there’s a trial to be had if you were interested in Tera but didn’t want to fork out for the full box price. However, I’m not convinced it’s the best way to showcase a game like Tera: the tutorial is fairly mundane, with very few, if any, of the game’s BAMs (Big Ass Monsters) to really let the combat shine, and using Gaikai’s streaming client means that the graphical quality is degraded far below the native client’s stunning resolution; perhaps better to wait for a free trial through the native client, for those who are still curious about the game.

I think Tera is marketed at quite a specific audience, and I’m not really part of that demographic, but I have to say I was still pleasantly surprised by some of the elements I found during my time in this curious and somewhat controversial game.

Variety’s the very spice of life, that gives it all its flavour.

It’s not all bikinis and brassieres in Tera. Admittedly it is primarily bikinis and brassieres, but I thought I’d offer up a couple of screenshots of my main character as proof. At least you now know that there’s one character in Tera not wearing a bikini, and I think I saw one other male character wandering around at some point. Possibly. It was a little hard to tell because my view was blocked by a barricade of boobs.

First up, over to the right, we have one of my alts – Pusillus the popori. Who I think is really rather cute, as far as kittens with mohawks, warpaint and a battle axe go, at any rate.
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Here’s my Aman Slayer, currently my main character, sporting a lovely straps and shoulders leather number, delightfully accessorised with an off-the-hip blue bath towel. Sassy! And yet practical too; washing the gore from hands and sword was never so easy. Introducing the all new Brigandine & Bath Robe armour from Kaiator International! Take two armour sets into the shower? Not me, I just slaughter and shower in one!
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And those aren’t lamellar plates, ladies, that’s 100% prime Amani dragon beef. Hel-loooo scaly!

I have to say, as far as ‘not a lot of armour’ looks go, I really like the barbarian design they have for male characters in Tera. Despite my hand towel jests, the half-robe half-armour style is one which really tickles my fantasy fancy, much like my character’s plate’n’dress Templar armour in Dragon Age: Origins.

Later armour models for the Slayer include trousers and such, which will never do, but thankfully our old friend Ankia the Equipment Remodeller (with her equipment all hanging out) will let me keep the cosmetic look of my current armour set, should I so desire.

Speaking of cosmetic items, En Masse have recently had a community event where they posted a video to Facebook extolling the virtues of their action combat system, and at set levels of ‘shares’ of the video on Facebook they would post codes for cosmetic items in the game. The code grants one item, for use on one character only, which is a bit of shame if you’re an altoholic like me, but the cosmetics are nice: a pair of sassy spectacles, a pirate eye patch and a cat mask. The top level of Facebook ‘shares’ was reached in such a short space of time that En Masse released a special bonus level, set exceedingly high, which will unlock a pirate hat should the Tera community achieve the goal.

I think it’s well understood that community is what makes an MMO great, and it’s perhaps not surprising that we’re seeing MMO publishers looking to those established online communities, such as Facebook, in order to promote their game to as wide an audience as possible, through a series of incentives designed to appeal to their core fan base. It seems like a natural strategy to me, although there is perhaps an inherent danger in encouraging your more rabid fans into spamming others with promotional material for your game; the Tera community blitzed the early levels of the En Masse event, such that the initial three cosmetic items were unlocked before I was even aware that the event existed.

On the topic of community events, Tera’s first run of its political system is well under way. There are three regions to vote for, and multiple players running for Vanarch in each. In the screenshot you can see the current exit poll status for Northern Shara, and my vote marked against the Fairy Tail candidate (I think I can reveal my vote without spoiling the ballot), who was in second place as of last night when I took a grab of the screen. As long as your character is level twenty, an icon appears below the mini-map which opens a window showing you the candidates for each region; a little party political broadcast piece, written by the candidate, explaining what their policies will be; and a button allowing you to cast your vote. Not surprisingly, nearly every candidate is offering low taxes (Vanarchs can set taxes on NPC shops in their region), as well as additional amenities in the towns. A player can vote once for each region, and receives a useful health potion in the post as a reward for each vote, so there’s a minor incentive to vote, perhaps aimed at those players who aren’t simply intrigued by such a system; certainly a political sub-game to the main MMO grind has the potential to qualify for a Hemlockian Nifty![TM] award, so we’ll have to see how it plays out, and, importantly, whether it has any real impact on the game. I’m quite excited for it, playing as I am on an RP server, because it has the potential to support a complex political dynamic within the RP community, directly within the game’s system.

And finally, just because he’s such a handsome fellow, a screenshot of my current mount. Press the spacebar when stationary and he lets out the most almighty thundering roar, such that I keep expecting to see his lungs come flying out of his mouth, as if from a cannon. There are a fair few design traits which detract from Tera, but by golly there’s a fair bit to like too.

With a whole lot of nothing on your way to nowhere.

One cannot easily express the joy of discovering that specific class in an MMO which just clicks. After time spent slogging along with the class which you think you ‘ought’ to be playing, or which you think would ‘make a nice change’, you reach that moment of despondency where you consider giving up the game. On a whim, you roll a class that you’d been avoiding, because it’s the flavour of the month perhaps, or a certain type of player is generally associated with the class, and you worry that you’ll be an accessory to that sort of reputation. Regardless of reason, you grudgingly roll a new character of that class. Like conciliatory sex, you’re not quite sure how you got started, and you’re determined not to enjoy yourself, but within five seconds you’re wondering what all the fuss was about, and five seconds after that you’re blissfully unaware of anything at all, utterly enraptured as you are by the endorphins of the event.

In the case of the MMO, you’re transformed in an instant from the unnamed father on Cormac McCarthy’s road, into Julie Andrews cresting a sunlight-dappled hill, grass rippling beneath the breeze’s gentle stroke.

‘And the hills are aliiiiiiiive, with the sound of slaughterrrrrrrr!’

And your partner stares in horror at you from their place on the sofa, as, with arms raised, you unleash this shrill falsetto, which threatens to shatter their teeth and your PC’s monitor, and sets half the cats in the neighbourhood into a frenzy of angry confused copulation.

Such was my pleasure at trying the Slayer class in Tera, where before I’d been busy grinding away with the Lancer, which is the game’s tanking class and, shock of shocks, also in short supply for dungeon runs towards the end-game.

Here’s a tale, tell me if you’ve heard it before:

Tera has issues with players trying to form groups for dungeons; the primary block is the fact that the game’s de facto tanking class, the Lancer, is in short supply. Lancers queue for only a few minutes before they’re assigned to a dungeon group, whereas it’s reported that every other class will face a wait of forty to sixty minutes. Why the shortage of tanks? Well, it doesn’t help that the Lancer is the only classic tank at the moment, whereas the other tanking class, the Warrior, is an evasion tank which is both a lot harder to play and a lot harder to heal, outside of expert hands. This is due to change in a future patch, but for the time being, the Lancer is *the* tank. One class, out of a pool of eight.

I think it’s also fair to say that the levelling game in Tera is an unabashed grind, with fights getting progressively longer as the players rise in level; Darwin’s great theory is alive and well in Tera, as evidenced by natural selection favouring those mobs who evolve extra zeros on the end of their hit points. And in the fine tradition of MMOs, the Lancer is a complete slug when it comes to the inevitable solo levelling grind. No DPS stance is granted because, one assumes, it would be considered unfair on the poor DPS classes, who don’t have an alternative role to switch to. So the Lancer class has the rougher responsibility of trying to be a tank in dungeons, and the tougher time of trying to level as a tank outside of dungeons. I mean, it seems fair to me, that’s why we see so many tanks at the end ga… oh wait, I think I might see a problem. I think I’ve got it… I… no. Wait! Yes. Wait! No. No. Yes. No… Hang on. Ye… Mmm. Yes! Got it! Now I could be wrong, but I think this could be one of those issues that’s been reported –here and elsewhere around the blogosphere– on and off, for the past six or more years.

Next up: Why do players solo in MMOs (when they can’t get a group as a DPS class, and tanking is a thankless tedious grind for ninety percent of the player’s time)? Gee, we’ll have to get our greatest experts of expertness on that one right away, Bob.

To my mind the MMO genre as a whole isn’t dying, but it does seem as though it has been floundering for some time. Pundits keep coming up with reasons as to why: ‘Games cost too much to develop’; ‘MMOs are too complicated’; ‘Players are fickle’; ‘The subscription model is outdated’; ‘The subscription model is the One True way to pay for an MMO and F2P is destroying everything’. And on and on. For me it’s this: for whatever reason, a staggering number of MMOs simply refuse to unlearn old falsehoods.

Roll darkling down the torrent of his fate.

I used to be in the habit of turning off General Chat upon first entering an MMO, or at the very least flinging it into a separate tab of the chat window marked ‘DANGER – MINDFIELD!’ to caution me against the volatile minds buried within. I performed the same operation upon first entering Tera, and thankfully the game remembers these settings between alts – because recently I’ve rolled a lot of alts. With limited time to play in past weeks, I’ve primarily taken to rolling a new race and class each time I login, and then blasting through as much of the starter area of the Island of Dawn as time will allow. This enables me to experience some of the flavour of each class, and at the same time inject a few delirious hits of Ding to keep my MMO cravings in check and leave me languorous, before I invariably have to dash off to take care of real life responsibilities.

In the early days of the game the global chat was an unending stream of drivel, as is often the way in MMOs, and it inexorably built up to the usual thundering churning deluge of froth and furore, as torrents of abuse dashed themselves on the unchangeable rocks of personal opinion, forming whirlpools of circular arguments that spun in upon themselves, drawing down to the suffocating depths of their unreason anything foolish enough to drift too close to the topic at its centre.

I diverted the river of global chat into a remote reservoir, which this time I labelled ‘Barrens’, and forgot about it for a good long while.

Nevertheless a lot of an MMO’s community is in its text chat, so I would occasionally flick back to Barrens to see if anything had changed. About a week or so later things started to calm down, and the global chat channel changed from frustrating to fascinating – now a fast but freely flowing expanse of diverse topics. I had rolled on an RP server, as I usually do, with the hope that a slightly more sensible subset of players would migrate there; I was quite surprised, however, at the dramatic change in the channel, and indeed one of the topics under discussion was that very fact. It transpires that the river of drivel had struck a tributary, and the LFG channel was where the rapids of rage now ran. So I left Barrens open by default, and flicked my attention to it every now and again while I repeatedly adventured across the Island of Dawn.

What was fascinating about the channel was that it had become a microcosm of the blogosphere: nearly every general topic that I’ve seen repeatedly touched upon over the past five or so years of blogging was mentioned in this one place, all in the fast forward nature of a back-and-forth conversation between people whose attention was invariably elsewhere. I quickly found myself privately playing Cassandra to any topic raised, knowing full well the future of each discussion, where the disagreements would come from, and the conclusions which would be drawn. It was at the same time amusing and saddening to see nearly all of the discussions follow disturbingly similar paths to those we’ve seen repeated amongst blogs over the years.

That the river of global chat drivel should break its banks and flood the fields of normality is no real surprise; it’s the fact that, upon receding, it left behind such a fertile field of rich discourse. I was tempted to turn the thing into an experiment – to start seeding topics into that fruitful soil, and harvest the bounteous crop of conclusions which grew there. And then I wondered –seeing as no idea in blogging is ever original– whether others had already done the same. Whether developers had already done the same.

An interesting topic perhaps, but whether I could raise the topic of ‘raising topics as an experiment in fast-forward blogging’ as an experiment in fast-forward blogging, without causing a segfault in the universe, I’m as yet undecided.

But, alas, to make me a fixed figure for the time of scorn.


Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov’ring there,
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air….

            – Excerpt from High Flight, by John Gillespie Magee, Jr.

As it was when I wrote about my enjoyment of the small detail of a turning horse’s head in Lord of the Rings Online, there are elements to Tera which are just breathtaking. Contrails form from your mount’s wingtips as you fly between locations; I haven’t worked out if they’re random or based upon the environment being passed through, but it is a simple moment of delight when they appear.

I’ve deleted the two thousand or so words which I wrote next, because many people have already judged the game and those who play it, and I cannot bring myself to present a justification for my playing it to the MMO equivalent of Freud’s inner circle.

Suffice it to say that I feel this is a game which tried not to bridge the chasmal divide between Eastern and Western cultures, but launched itself wholly across in an attempt to forge a beachhead, and found itself firmly repelled.

My time with Tera will shortly be drawing to a close, but I don’t regret having played it, for I have had joyous encounters on my journeys within both the world and the game, where I discovered a different culture of design, all of which I happily feel has been a worthwhile expansion to the universality of my MMO experience.

Every man of ambition has to fight his century with its own weapons.

With the instigation of a stress test for Guild Wars 2 this past Monday, I was able to log-in and refresh my memory with regard to some of the game’s systems. As such it gave me a nice opportunity to compare and contrast some of the ideas realised within that game with those found in TERA, which I’m currently playing.

My first impression is that in the classroom of MMOs, TERA is that kid who was brilliant at one subject; in all else that kid was at best average, but in one subject they grew whiskers and a shock of white hair and positively shone, in the eyes of their peers becoming a cross between a Super Saiyan and Albert Einstein. TERA is really rather good at action combat. Guild Wars 2, however, seems like the kid who was never brilliant, but was pretty good at absolutely everything, irritatingly popular, and likely to become head pupil of the school upon reaching the sixth form.

Do feel free to carry the analogy wildly off on your own tangents. For example, I picture EVE to be the gruff kid who sits at the back of the class jeering at everyone else and occasionally flicking the ears of World of Warcraft, who used to be the popular rich kid until everyone finally tired of him always turning up with more complicated and expensive versions of other kids’ toys, which he’d invariably break by the end of the first day.

One difference between TERA and GW2 which I find Quite Interesting, but others may find somewhat more prosaic, is the role of weapons within the game. For TERA, each class has a single weapon set available to it. The Warrior dual wields swords, but the representation of these swords is one icon; the Lancer’s shield and lance are also represented by a single entity. Therefore there are no cross-class loot issues when it comes to weapons in TERA – every class has its own weapon set, and every set is self-contained, even if it is comprised of more than one functional item. I really like the system; it’s a simple and elegant way to eliminate the issue of dual wielding classes having to keep multiple weapons/shields/handbags upgraded in order to remain viable, compared to their single-weapon counterparts.

Speaking of maintaining multiple weapons brings up one of my minor concerns for Guild Wars 2: good grief if there aren’t a lot of weapons to maintain in that game, at least for certain classes. Take the Warrior in GW2, for example, who can wield a prodigious variety of weapons. The fact that certain skills –and thus certain styles of play– are intrinsically linked to a weapon type means that, in theory, the Warrior will need to keep two swords, two axes, two maces, a warhorn, a shield, a greatsword, a hammer, a longbow and a rifle all upgraded in order to be able to fulfill each and every play style. Now, perhaps this is not the intention, and a player will be encouraged to focus on one or two themes, but it certainly seems a little overwhelming to think that a Warrior might want (but hopefully not need) to maintain an up-to-date version of all these various items.

Until my knowledge of the game has matured, it’s hard to know how this will resolve itself – weapon level could be irrelevant when compared to the power of the skills which the weapon enables, for example. Suffice it to say that I remain as yet unconvinced where this linkage between skill system and weapon requirement is concerned, but I keep an open mind as always. However, I think that thematically it’s a fabulous idea, where each weapon offers its own distinct flavour of combat, rather than just a mechanical flip of a damage type stat.

And in our contemplation of damage-type-weapon-swapping shenanigans, let us bow our heads and take a moment to reflect upon the current king of weapon stockpiling: Dungeons & Dragons Online. For no DDO session can be complete without the party emptying out their backpacks into the middle of the dungeon floor, rummaging through the subsequent pile of weapons as though they were Lego, and trying to find the exact right piece to fit their current build requirements.

“Dang. If anyone finds a dark blue four-er, can they let me have it?”

“Is that a two-by-two four-er, or a four-by-one? And do you need it in piercing, bludgeoning, slashing, adamantine, byeshk, cold iron, crystal, mithral or alchemical silver?”

“Err…”

You can’t depend on your judgment when your imagination is out of focus.

Due to quests in TERA being such a general irrelevance, I find myself filtering the order of quests I undertake by giving preference to those which offer equipment upgrades; although, I’m still not sure about the technical accuracy of ‘upgrade’ in the context of a game where your character wears less armour the more they grow in power. It was always something which intrigued me about Star Wars: The Old Republic, the fact that the quests never showed a preview of the reward you’d be getting, and –perhaps due to the generally excellent storytelling– I never cared to know.

It’s a simple distinction, but an interesting one. By having the carrot waved around in front of their nose, the player rarely cares about the path they take while pulling the developer’s cart of flow. The developer, guiding the player in this way, gains a great deal of control and can instil motivation in the player, all without the need for world building or story. In fact, the reward will detract from the story in most instances, and I think it’s another area where BioWare were clever and alert to the pitfalls of the genre they were entering. The last thing you need in the Regency era ballroom of storytelling, where players are invited to twirl elegantly through the carefully choreographed steps of the plot, is a DJ in the corner with the glitter ball of phat loot, spinning to the thumping rhythm of tracks from Depeche Mode’s Some Great Reward.

TERA is a curious beast in terms of how players are directed in their questing. There is a strong World-of-Warcraft-like impetus to click through the quest text and get on with adventuring, especially considering that the combat is the stronger pillar of the game’s foundation, along with the aforementioned carrot of the rewards being presented up-front. What’s more, clicking on any highlighted name in the quest text will place a marker on the player’s map as to where that mob can be found. In essence, the game seems to be using quests as an enabler to drive the players into combat, as per the standard MMO model. However, the game also marks any mobs for which the player currently has a quest by placing an exclamation mark above their head. Here we find the ubiquitous ‘quest marker’ being employed not only as a way for players to easily find quests, but the quest mobs themselves. What I find strange is that this would be a perfectly excellent way to remove some of the production line feel from an MMO, that of grabbing quests in an area and then slaughtering all the wildlife in the vicinity until the quest tracker was full of green ticks. Being able to wander freely, and have any Mobs of Interest highlighted to the player as they explore, seems a far more natural and immersive system than the current MMO standard – Lord of the Geocachings. I really like the idea, but it’s bizarrely extraneous in a game such as TERA, where there is no discernible reason to explore the world –outside of the potential for a screenshot opportunity (of which there is an opportunity roughly every four yards in this painfully pretty game)– and every quest mob can be found with pinpoint precision, each player a laser-guided bomb of mob obliteration.

It’s interesting how small adjustments in the presentation of quests, their rewards, and their objectives, can quite dramatically change the perspective from which a player approaches them. In a game where combat is its own reward, is the loot carrot really necessary? If a game wishes to encourage exploration and adventure, should it perhaps spend time finding ways to remove the unnatural geocaching of quests, rather than inventing new game-play mechanisms? Mechanisms which are layered on top of the already proven questing system, and thus often feel forced.

As the fundamental enabler of flow in MMOs for many years, it’s curious to see how little has changed in the design of quest presentation over the years, and fascinating to see just how little change is required to transform the way a player views the world through the questing lens, where slight adjustments to structure can alter the focus of a player’s attentions, blurring the boundary between mechanisms and mind-set, while throwing the game’s world into sharper relief.

A noble craft, and also a most lively!

One of the nifty![TM] features I’ve experienced in a couple of recent MMOs is the inclusion of crafting in other aspects of the game, outside of merely producing five million worthless trinkets to be sold to a vendor, before being able to finally produce the epic quality Toe Ring of Time, which gives your character a best-in-slot 0.01% boost in DPS over anything you can acquire in the levelling game, which nobody will ever be aware of, and which will be replaced by the first piece of end-game dungeon loot that drops.

The first of these is within Star Wars: The Old Republic. Crafting skills in SWTOR can be used to bypass areas of the game’s instanced dungeons – flashpoints. I love the idea of this, the fact that being a crafter of a certain type actually means something. What I particularly liked was that access to a shortcut or bonus area was themed towards the type of crafter who could negotiate that access. A set of tunnels which take the players around several corridors of heavily armed guards might be filled with a poisonous gas, and thus a Biochem specialist would be required to repair the filtration system which would neutralise the obstacle; someone versed in Cybertech might be able to reactivate a facility’s sentry droids, turning them against the mobstacles that litter the paths through the instance. It’s not essential to have a crafter of a certain type along, all the crafting activated events are usually bonuses and shortcuts which make the job easier, and not requisites for successfully completing the instance. I think BioWare struck a nice balance between players getting a bonus for having a certain crafting class, without it being compulsory to ‘bring along a crafter’. M’colleague informs me that, alas, this design featured less heavily in the later flashpoints he experienced.

It was whilst playing TERA that I was reminded of SWTOR’s subtle mechanic for craftily encouraging crafting. In TERA, each crafting node will grant a modest buff when harvested. It seems that these buffs are random, or perhaps tied to the type of node harvested, but by gathering from a number of nodes you can quickly find yourself with a considerable stack of buffs, which although modest in their own right, can result in quite a boost to your combat prowess when their effects are combined. I like this system better than that provided in World of Warcraft, where the gathering profession itself gives you a permanent boost to a stat, or a utility ability, because WoW’s system just becomes another item on the Great Min-Max List (‘Has optimal gathering profession to boost combat prowess?’), whereas TERA’s system temporarily rewards you for the act of gathering itself; for crafters or auction house wranglers this is a non-issue, but for everyone else there’s now a reason to get involved in gathering, and hey, if you have all those crafting materials in your inventory, why not try putting something together? Incidental crafting –which may in turn lead a player to discover a deeper love of crafting than they would have otherwise imagined– is a nice side benefit of such a system.

I really like this blending of boundaries, where consideration is given to the fact that gathering from crafting nodes doesn’t have to exclusively produce materials for crafting, and where crafting doesn’t have to correspond purely to churning out equipment. It draws those mechanics into the main combat-driven system, smudges the edges, blurs the demarcations, but does so by giving modest bonuses to those players who gave it a try, not by punishing those who didn’t.

I’d certainly like to see more features like these in future MMOs, because I feel that it’s very much this sort of parallel design that helps to make a game feel like a world, rather than a series of independent mechanical systems.

What you might see as depravity is, to me, just another aspect of the human condition.

Having reached level twelve and finished the quests on the introductory Island of Dawn, I took the Pegasus flight to the major city of Velika. Situated in Southern Arun, this is the seat of the Valkyon Federation, a coalition of all the civilised races of the land against the invading Argons. The flight into the city was stunning, as my mount ‘rung upon the rein of a wimpling wing In his ecstasy! then off, off forth on swing, As a skate’s heel sweeps smooth on a bow-bend’, wending its way around the blanket of countryside rolled-up around the city’s waist, I could only marvel at the exquisiteness of the environs. There’s no doubt that these worlds which we inhabit have developed, in graphical terms, to the point where it seems as though one could reach through that lambent mirror sat upon the desk, and grasp the infinite pixels of possibility which it reflects.

After exploring the city for a while, and claiming my mount (which is granted at level eleven and instant cast – huzzah!), I went to the main hall to speak to the commanders of the war effort there, whereupon after a brief “well done” from the leader, I was palmed off onto a rather brusque and patronising fellow who pointed his sword threateningly at me, and told me not to get cocky after my initial success on the Island of Dawn. I could only look at him in wondrous disbelief, before pointing at my outfit, raising an eyebrow, and querying just whereabouts he imagined I’d be hiding any cockiness. He was lucky he didn’t get an extending lance right in his.

Of course that wasn’t terribly likely to cause him any trouble, because all the men in TERA are pusillanimous braggarts, encased in armour so thick that they reach for a can opener every time they need to pee. Wrapped in their comforting cloak of cowardice, they had the audacity to stand there and tell me that I had no sense of proportion. I told them that my sense of proportion was just fine, and that I had ample evidence of such every time I had to look at myself in a mirror.

I still reckon I could take ’em in a fight.

Having left the Keg Brothers to pat each other on their well-armoured backs, I ventured around the city once more. When a world is as beautiful as this, it draws you into the environments and encourages you to observe your surroundings. For example: I met this lovely lady, Ciebel, a priestess, and I couldn’t help but stop to praise her on her choice of outfit. “Finally” I thought, “a place without overt sexualisation of women! Here is this fine young priestess, in a slender yet chaste dress, who clearly has rejected the more lascivious outfits of the warrior caste.” I wandered away in quiet satisfaction, exultant in finding this small sanctuary in the city, where an innocent priestess stands removed from the incessant sexuality prevalent elsewhere in the realm!

But wait, elation! Joy of joys! In my wanderings I stumbled upon the cosmetic armour vendor. TERA has many cosmetic armour slots, and here I had discovered the Equipment Remodeller, who could offer cosmetic armour items! For a considerable sum of gold, of course. A considerable sum, but one which will be worth every scraped-together-coin, for I had found a set of sensible armour for myself. I could go back to the Keg Brothers and point my lance at them, and say “Hah! Observe how I am appropriately attired for battle and weep, for I could beat you all when I wore but a piece of thin copper wire as a thong, and so now… now I shall be as to a goddess walking amongst mortals!”

So, thank you Equipment Remodeller, thank you from deep within my heavily armoured breast. You are a shining beacon in a world of depravity, and I praise the gods for your presence. In this land where women are forced to wear degrading outfits, you are here with your sense of decorum, your sense of reserve and your sense of dignity. You have fashioned outfits which are tasteful, sensible, and practical. You stand as an example to all, and I would hold you up to all the world as the way that things should really be. Come. Come Equipment Remodeller, come here and let me hold you up, literally upon my shoulder, and I will raise you toward the heavens and rent the air with a cry of exaltation. Come here and… ah. Oh dear. Oh dear me.