Monthly Archives: March 2009

Have I Got MMOnews For You

Host: And the final round is “Continue the Parliamentary Debate”. This week, teams, we have an Early Day Motion for you from Ed Vaizey, Shadow Minister for Culture. EDM 1097, UK Video Game Industry: “That this House notes the importance of the video games sector to the UK economy; congratulates the winners and nominees at this year’s Bafta Video Games Awards; notes in particular the success of UK developed games, including Media Molecule’s LittleBigPlanet, Codemasters’ Race Driver: GRID and Lionhead Studios’ Fable II, all of which won awards; applauds this recognition of the continued success and significance of video games despite the complete lack of support from Government; regrets the fact that this lack of support from Government has seen the UK fall from being the third largest producer of video games in the world to the fifth largest; and urges the Government to devise a clear and supportive strategy for the UK video games sector as part of the Digital Britain review.

Zoso: “… starting with covering MP’s MMO subscriptions under expenses (but not looking too closely into the precise breakdown of purchases in Second Life)”

Melmoth: The Prime Minister vetoed the motion, claiming that everyone knew that Shadow Ministers were a stupidly overpowered flavour of the month member of parliament.

Zoso: The games industry was described as “disappointed” that the motion had garnered six times fewer signatures than EDM1159, Railway Enthusiasts and Photography, but looked forward to rallying behind EDM1211, National Cask Ale Week.

Melmoth: A transcript of the debate follows: “Very important. Right, the House moves that we now adjourn for the day and get back to raiding Ogrimmar”.

Zoso: Altdorf, surely? I have the House down as more Destruction types.

Host: Goodnight!

Studio lights dim, theme tune plays.

The end of nights we tried to die

I finally got around to finishing Fallout 3 over the weekend, only six months after most people, but still. There may be a few people waiting ’til it’s out on budget, so I’ll try and be unsatisfactorily vague and mysterious, but some spoilage may follow…

When we left our Wasteland Wanderer, all was well. Apart from the whole nuclear war business, radiation, evil mutants etc. And in the game, ah. The central plot was ticking over, but generally taking a back seat while I roamed the wasteland exploring, having a splendid time visiting museums, slaver towns and factories, killing mutants and raiders, taking their stuff, and furnishing my house. Thumbs up. Having explored a pretty big chunk of the map (though not all of it, I’m sure) I thought I’d carry on with the main story, and wandered off to Vault 87; in fairly short order there was an obligatory “I’ve been captured” sequence, an uninspired breakout from what seemed a particularly lax minimum security establishment, a conversation with President Eden that only seemed to have one outcome when I wanted to explore some different options, and another escape that mostly involved NPC ‘bots doing the hard work. At this point the plot kicks into full “we must strike RIGHT NOW!” mode, so while I believe you could continue to wander around the world in general, that wouldn’t really sit right with me. One final assault, a sort-of confrontation with the sort-of bad guy, and… game over, man, game over.

I seemed slightly superfluous to the whole business. Conversations didn’t offer a very wide variety of options, just shunting the inevitable forward, and NPC’s did most of the heavy fighting while I tagged along, used an occasional stimpack and taking pot-shot at anything I noticed that was still alive (not much, usually). Granted, the huge slogan-shouting nuke-chucking robot was brilliant and made for a thoroughly enjoyable romp in its giant stompy footsteps, but I was more a spectator than active participant. The game up to that point had been a series of neat little vignettes, of communities and individuals, of slightly crazy memorabilia collectors and mad scientists and super heroes. The whole Enclave vs Brotherhood business had teased at being an interesting set-up, especially with Eden’s radio broadcasts, but they wound up as two fairly dull bunches of people in power armour, supposedly one good and one bad, but I can’t say I saw that much difference (not in a good, moral ambiguity, difficult decisions way, more they were just both equally uninspired), so the Ultimate Final Confrontation was rather… meh. And then that very final non-decision (are you a: noble or b: a git), a bit of a recap, and b-bye.

I think I’m going to load an earlier save game, or even start again from the beginning, and explore some more, as up until Vault 87 it was a really great game, it’s a shame the end lets it down rather.

What is the matter with you, Darling?

Monday 30th March. Warhammer Online. And an outbreak of brow rage has broken out among players.

A Warhammer dwarf involved in the riots.

Various disgruntled parties are fed up with sub-standard character customisation options in their MMOs, the final tipping point apparently being eyebrow colours which do not change to match hair colour in Mythic’s seminal game of hammers and war, thus limiting any sensible face/hairstyle options for the fashion concious.

The Chancellor of the Exchequer of England today.

The problem – dubbed the Darling Effect after the current Chancellor of the Exchequer – has been felt most strongly by a proportion of the Warhammer Online player population that can be best described as ‘me’. As such there will be a demonstration march on the various capital cities of the game by my dwarven Slayer, who is absolutely livid that he is forced to keep his eyebrows dark brown when every other hair on his body is dyed orange. Yes, every hair.

More details on the Darling Riots as we get them.

Reporting live for Oh MMO Emo News, I’m Melmoth Melmothson.

What sort of player am I?

I’ve decided to attempt to understand the type of MMO player that I am, in an effort to be able to balance my judgement of a game against the travelling circus of prejudices that I bring with me when I roll into town at any specific MMO.

I’ve only just begun the journey of analysis, and therefore I don’t have a lot to report as of yet, but I thought I’d document the beginnings of the journey here, partly to put the idea out there, but primarily to remind myself of what I’m supposed be attempting when I get distracted by the next shiny object tha

Sorry, shiny object.

So, having gone back to WAR to give Slayers a try, the first thing that I’ve realised is that I am very much a player who is motivated by mid-term goals. For example, getting to level ten in WAR gives you extra bag space and a couple of very useful abilities; level twenty gives you the chance to add a surname to your character and more importantly access a mount for faster ground travel. I find that with some ‘major’ level to aim for that is achievable with a relatively modest amount of effort, I can keep playing through the relatively mundane intermediate levels. Note that I rate effort over time here: I don’t necessarily need to get to my mid term goal quickly, but it needs to come before the feeling of senseless grind sets in. Also worth noting is that just gaining a level and a new ability doesn’t seem to register as much of an achievement for me, I’m not sure as to why, but perhaps it’s because this is just what every MMO seems to do, or perhaps it’s because the speed of levelling that WoW has introduced – where levels are given out like candy at children’s birthday party – has meant that there’s little sense of achievement or satisfaction to be had from gaining a level, you just shove the free candy into your mouth as fast as you can and ask for more. Therefore, even if the goal is something as fluff-like as a character surname, it’s enough – or at least it’s different enough from the norm of level gain – that I find I can aim for it and be encouraged to keep plodding away on the levelling treadmill. Of course, it would be better if I didn’t feel like I was plodding away on a treadmill at all, but that’s something to be analysed at another time.

In essence I think I’ve become acclimatised to the current trend of fast XP and even faster levels in MMOs, and therefore I need to have any number of significant intermediate goals between my character and the level cap in order to make me feel like I’ve achieved anything of worth in my questing efforts; I may try to test this theory by finding and playing an MMO with slow level gain, such that each level itself becomes an achievement worth aiming for.

Clearly I’ve got at least one foot in Bartle’s Achiever category, but this is only the beginning of my analysis, and I know for certain that I need to mix in some Explorer to realise my true MMO playing self. I hope to find out more about that self as I continue on my MMO playing journey, now that I’ve opened my eyes in an attempt to realise my prejudices and preferences it’s amazing how far I can see that the journey could potentially take me.

The Chronicles of Spellborn: First Impressions II, Return of the First Impressions

I wasn’t really that interested at first, but then everyone else started doing it, and it all looked so wild and exciting that I just couldn’t resist the peer pressure. Yes, I’ve started hanging around coffee houses where the love is frothy and the milk is cheap and engaging in illicit skiffle sessions, slapping a tea chest bass like a good ‘un. Ha, not really, I confounded your expectations and from thence the humour arose. And then I got off the bus, ah. And installed the Chronicles of Spellborn to see if my first impressions jibe with m’colleague’s.

So! Character creation. Pick from one of three archetypes, one of two races (Human or Strange Hoofy Thing), male or female, and a body type (male human: Vaguely Normal, Pie Eating Sumo Wrestler, Freakish Bodybuilder Parody and Comedy Skelington; female human: Bit On The Skinny Side, Vaguely Normal or Ate Any Pies Leftover From The Male Human. The strangely-hoofed Daevi have a single physique but varying veins. Or possibly blue tattoos.) Head selection offers a variety of faces and hairstyles, and slightly more unusually for a MMOG a choice of voices. Your chest and upper arms can be adorned with a variety of quite nifty tribal-style tattoos (though you can’t seem to change the colour of these, you’re stuck with brown), and then it’s on to clothing, armour and weapons.

Clothing comprises shirt, gloves, pants and shoes over which armour can be added to the head, shoulders, chest, gauntlets, belt, thighs and shins. It’s definitely a step (or several) over the majority of MMOGs that dump you into a tatty old robe or shirt to start off; while Melmoth is right that it doesn’t rival City of Heroes, there being only five or six complete outfits so everyone still looks broadly similar, the mix n’ match effects can be quite neat, and everything can be coloured to taste albeit with a slightly muted palette (quite possibly a deliberate design to avoid the starting areas looking like they’d been decorated by toddlers vomiting up packs of crayons and poster paints). Weapon-wise, you pick a melee weapon (a nice array of axes, swords, daggers and maces) and a ranged weapon (not quite such a wide array of bows).

All of this is purely cosmetic, unless I am more vastly mistaken than a man who thinks Hillaire Belloc is still alive. I’m not *quite* sure how I feel about it in a fantasy game; I’m a huge fan of the approach in CoH, but it’s in the nature of superheroes that appearance doesn’t always correspond directly to powers. I’ll have to see how it works out during actual gameplay in Spellborn, it’s nice to have options in character creation at least, and there’s certainly ample scope for expanding things through loot or microtransactions.

With my pie-eating spiky-be-armoured warrior togged up, it was on to the tutorial. Fairly standard stuff introducing movement, jumping, poking things with a pointed stick, everything the good adventurer needs, and not too onerous if you already know what the WASD keys do (“make the letters w, a, s or d appear on screen, duh!”), soon enough you’re out into the world proper.

Whether from playing at a quiet time, or the server being in a particularly good mood, or maybe just my frankly supernatural MMOG Skillz (note: it’s not the last one), I found the starting area smoother than lots of the other impressions I read; no self-healing rubber-banding Shoaten (seriously, if the wolves are called “Wolves” and the bears are called “Bears”, calling boars “Shoaten” just seems like a way of trying to dodge time-to-boar) and little competition for mobs. I ran a couple of quests, wandered in to the town of Hawksmouth, and left it there for the night at a mighty level 3 (Fame Level 3, that is; I want to live forever, and quite possibly learn how to fly (high)), so this is a very cursory glance.

From playing, for various lengths of time, Star Wars Galaxies (post-NGE/CU), Tabula Rasa and particularly Hellgate: London, I’ve found MMOG/FPS hyrbid combat systems that involve aiming worked pretty well for ranged combat, not always melee, but I didn’t have too much trouble stabbing the wildlife of Spellborn, switching to mouselook for combat worked pretty well. The revolving skillbar, it’s a bit early to pass judgement on with only the fairly limited selection of initial abilities to populate it, but it’s certainly an interesting idea. As Melmoth mentioned, having regular skill cooldowns on top of it is a little disappointing though.

A quick mention for some emotes: they mostly seem to be audio-based, so from a purely physically theatrical perspective there was nothing to match Conan’s /emote hugefish_m, but /jazz is rather fun, and bonus marks for /fashionpolice.

I’m not terribly tempted to keep going, though. I think that’s mostly ‘cos I’m happy enough keeping WAR ticking over for a bit of MMOGing now and again while I try and get some time in on Fallout 3, Empire: Total War, Grand Theft Auto IV and anything else I’ve been stacking up for a while (maybe some tinkering with the Architect features in CoH), I’m not looking for another MMOG at the moment. All in all it seemed a promising enough start apart from the zone-wide chat’s mix of incoherent drivel and idiocy, but that’s zone-wide starter area chat for you; with (as I understand it) the “Freemium” (ugh) model allowing you to play up to level 7 before paying, if a 3Gb download isn’t an issue and you’re after a fantasy MMOG to play, give it a shot. What’s the worst that could happen? (as the Doctor Pepper marketing people might have said before they read zone-wide chat).

Sir Not-A-Lot.

Wimple-Smythe: “… O House of love! O desolate, pale flower beaten by the rain!”

<Polite gentle applause>

Exceedingly posh host: “Terrence Wimple-Smythe there with a delightfully delicate reading of Oscar Wilde’s La Bella Donna Della Mia Mente. Bravo. And now Melmoth Melmothson, with a self-composed piece titled ‘How Now Down Dwarrow’.

Melmoth: “I like…

<Spot lights fire-up, a bunch of dwarven dancers burst onto the stage>

big beards and I can not lie
You other brothers can’t deny
That when a dwarf walks in with his itty bitty pace
And a hairy rug on his face
You get sprung, wanna pull out your tough
‘Cause you notice that beard was stuffed
Deep in the belt he’s wearing
I’m hooked and I can’t stop staring
Oh shorty, I wanna group with you
And take your picture
My guild-mates tried to warn me
But that beard you got makes me so horny
Ooh, Rug-o’-matted-hair
You say you wanna get in my Guild?
Well, use me, use me
‘Cause you ain’t that average groupie
I’ve seen them dancin’
To hell with romancin’
He’s gruff, tough,
Got it goin’ like he’s turbo buffed
I’m tired of magazines
Sayin’ goatee beards are the thing
Take the average dwarf fan and ask him clear
He gotta pack much beard
So, guildies! (Yeah!) Guildies! (Yeah!)
Has your dwarf got the beard? (Hell yeah!)
Tell ’em to shake it! (Shake it!) Shake it! (Shake it!)
Shake that healthy beard!
Dwarfy got rug!

Word to your dvergar.”

<Silence; followed by the sound of someone’s monocle popping out.>

Stone Free

So m’colleague’s Chronicles of Spellborn impressions drew a bit of interest, and not wanting to be left out I thought I’d go and take a look to offer my own devastating insights, like “it’s got hats in it!” Not having the speediest connection, though, the 3Gb download is still crunking away in the background, so initial thoughts: the downloader has a bar on it that goes up, which is good. I like bars that go up.

While waiting for the download I went for a bit of a potter around the publisher’s website,, which offers a range of Free To Play MMOGs. Acclaim, and the logo on their website, rang a bell from a way back alongside names like Ocean and Midway, but from a bit of Googling it turns out that Acclaim went bust, and the name was bought by this Acclaim (usual it’s-only-Wikipedia caveats apply, though the articles seemed fairly plausible at the time and didn’t claim “Acclaim Games are best known for appearing as Norm in the 1997 Twix adverts”). I don’t think I’m quite in the target market for most of their offerings, but anyone who’s followed my other posts can probably spot one game that piqued my interest…

Yes, Ponystars! The game I’ve been waiting for! Within no time, I had a pink-hued offspring of a Fire Pony and a Love Pony ready to… erm… hang on, someone must’ve hacked my account, that was never me, I’ve never even heard of this Ponystars of which you speak you can’t prove a thing.

No, having something of a penchant for fake plastic moshing, Rock Free looked worth a shot. Currently in beta, it’s a Flash-based Massively Multiplayer Guitar Hero-esque Press-Keys-As-Circles-Move-Down-A-Fretboard-Em-Up. The song list should be familiar for players of the first few Guitar Hero games, plenty of classic rock in there, songs being streamed as you go (a bit of a problem if you’re downloading 3Gb of Spellborn at the same time in the background). The default keys of 1-5 for the frets and cursor keys to strum are configurable, which gives you the same options as Frets on Fire: play normally on the keyboard (boring!), remap the frets to F1-F5 and hold your keyboard like a plastic guitar peripheral (much better, though tricky with a G15), or sort out a genuine fake plastic guitar to give key inputs; I dug out the old bluetooth dongle and got my Wii guitar hooked up to it via GlovePIE.

If you haven’t got an actual Guitar Hero/Rock Band game, or have a desperate desire to compete against more than one other player simultaneously, it might be fun, but naturally enough a free Flash based game can’t really compete with full plastic instrument-y fun, so having picked up the Wii guitar I wandered off to play the Hendrix DLC that’s just come out in Guitar Hero World Tour instead while the download ticks away. 1Gb left now…

Thought for the day

With GamerDNA and Raptr automatically tweeting what you’ve been playing, and a widget that posts your Twitter feed on your blog, and your Facebook status automatically updated by your MP3 player which in turn is tweeted onto your blog and fed into a Spotify playlist, and a summary of your Twitter, LastFM and gaming activities automatically posted to Livejournal every 24 hours, why all the outcry over the government monitoring social networking sites? If they just offered a plug-in that automatically Tweets any terrorist or criminal activities, people would sign up in droves…

@ScaryGeoff went mugging, TWOCing and committing criminal damage for 3.2 hours

April Fools’ Day head start begins today.

KiaSA Industries is pleased to announce that those of you who took part in the Crazy Foo’ live event throughout all of last week, and who qualify for the head start for our latest Real Life[TM] patch, can now access April Fools’ Day content a week early.

  • Avoid the annoyances of a day of unfunny April Fools’ jokes by holding your April Fools’ Day a full week ahead of other RL players!
  • Genuinely surprise friends and family by springing April Fools’ pranks on them up to a week before they would be expecting it.
  • Be the first, be the best, be the premier April Fool!

We hoped you all enjoyed the Crazy Foo’ live event, and we have plenty of other live events planned for the future, in fact look for an early access head start on Easter Egg collecting for the end of April!

The Chronicles of Spellborn: First impressions.

I played The Chronicles of Spellborn for the first at the weekend and was left disappointed, as I frequently find myself to be these days when it comes to MMOs. TCoS is a game that has been on my radar since way back in early 2007, and I’ve been quietly following its progress ever since. I was initially excited by its potential for character customisation and its innovative take on the MMO skill bar combined with FPS-twitch-like combat, based as it is on the Unreal game engine. I was, therefore, interested to see how these concepts had been realised in the game, and so I downloaded the open beta client this past weekend and had a look around.

I had visions from the promotional videos which I’d seen that character customisation was aiming for City of Heroes levels of flexibility, and while admittedly it’s easy, with a little imagination, to create a unique looking character, this effect is really produced through the smoke and mirrors of combinatorics. Essentially there are only a few art assets that one can pick from, in two outfit layers: one clothing and one armour; the fact that one can specify individually each body location’s clothing and armour type (or indeed none at all), means that there are statistically a large number of overall outfits that can be created. Fundamentally though, there are a pool of five or six sets of matching armour available, and the same of clothing, and one can mix and match from each set to create a unique look. It’s certainly a more flexible system than the vast majority of MMOs offer, but City of Heroes set the standard for character customisation, and if you’re going to have it as one of your selling points you really should be aiming to at the least get close to that. It’s certainly not a subscription breaking issue, and there may in fact be more customisation options available as unlocks as you progress through the game, but it’s something that fell short of my expectation based upon their gaming hype. I have no problem if they’ve taken out ninety percent of the outfits and decided to sell them via micro-transactions, but they should be far more explicit that this is the case.

Am I at fault for setting my expectations against the output of their hype machine? I used to think that maybe I was; I’m under no illusion that the promotion of these games is almost entirely undiluted finger-waggling horseshitery, as an MMO developer tries to build a critical mass of community around its forthcoming product. I should take it all with a pinch of salt, but lately I’ve come to realise that the amount of money these companies spend on marketing could be spent on improving their game such that it’s not an embarrassing bug ridden piece of half-realised promises and pie-in-the-sky design ideals. I find that it’s much better, for me, if I take the marketing of these companies at face value, and if they don’t live up to the tenet of what they’ve spent hundreds of thousands of $monetaryunit preaching to the masses, then it’s a fairly safe bet that there won’t be any substance to the game in the long run either.

Disappointment set in fairly early on in my experience when the starter area mobs started bugging-out and returning to their spawn point with full health half way through a fight… Oh yes, the game is in open beta, and the second mob I attacked in the starter area got bored with my circle-strafing around it in the manner that one is positively encouraged to do by the twitch-like nature of the combat system, and decided to wander off and reset its health bar. But not its aggro. So once it had regained full health, it came charging back at me again. And then it did it again. Either its a really really ‘why the hell didn’t you catch this in closed beta or QA testing?’ bug, or TCoS has boars with self-healing properties that would make Wolverine cry ‘nerf!’. For the record it wasn’t actually a boar, it was a unique creature of the Spellborn universe, I think it was technically called a Notaboar Honestguv. Another joyful ‘feature’ which I discovered is that the combat system has range detection, such that if you’re not standing close enough to the mob you won’t hit it. Fair enough, same with any MMO, except with most standard MMOs your abilities won’t fire if you’re out of range, in fact they’ll tell you as much, whereas in TCoS you can happily swing away and be hitting nothing but air. Again, this isn’t a problem, I’ve already established the twitch combat heritage that TCoS has touted from the outset. What seems strange is that I can be swinging away like a mad thing at the Notaboars, after a short time notice that its health bar is not reducing, think ‘Ooops, I’m too far away’, and move in closer. However, all this time, my character’s health bar has been reducing. So apparently these self-healing Notaboars also have snouts with a melee reach greater than my character’s arm with a three foot sword attached to the end of it. Strangely formed creatures of the Spellborn universe or nonsensical bug? You decide!

Of course it’s just as I’m wondering whether it was these seemingly all powerful starter-area Notaboars that were the ancient formidable force that tore the world of Spellborn asunder and shattered it into the many shards of rock that now float around in the deadness of space, that I see a Mage class character, of the same level as my Rogue, soloing about five or six of them at once. So now I’m pondering as to whether there might be a little class disparity as well. It is, however, open beta, and therefore all of these issues are there to be fixed before release. Honestly though, I do find it increasingly disconcerting that MMO developers can so consistently get to open beta with issues as basic and easily identifiable as these.

I did enjoy the Skill Bar[TM] – now with rotating action! It’s a genuine stab at, if not outright innovation, then at least taking skill bars to the next level, as it were. I think the bar design works; it is an interesting concept; it adds a level of complexity to building a character that is akin to deck building in Magic: The Gathering, and is possibly what Blizzard was initially hoping to create with their talent point system. So a quick description of what the bar is and does. Take your standard MMO action bar – a row of slots where you can put character skills for ease of activation – and then stack a bunch more on top. If you take the net of this shape and fold it around, you can make an approximation of a cylinder, as you rotate the cylinder around you encounter the next action bar in the sequence. So what happens is this: you draw your weapon and your skill cylinder pops up at the bottom of the screen, you then initiate combat by activating one of the skills on this first row. As soon as you activate a skill, the skill cylinder rotates to the next row and you, potentially, have a new set of skills to pick from. Eventually you rotate all the way back around to the first row, and the sequence begins again. So player ability lies not only in twitch-combat skills, but in the thought process behind building your ‘deck’ of skills. Anything you put on the first row will not be available again until the skill cylinder has completed a full rotation. You can duplicate a skill on the next row if you so choose, but you then give up a space that might be used for a different and perhaps more useful skill. For example, you might have an opening skill that debuffs the target on your first skill row in the first column, the following rows have standard attack abilities, but when you come back to the first row you may still be in combat and not be able to use the opener skill, so you might also have added a standard attack in the second column, thus allowing you to activate an ability and thus have the skill cylinder continue on its rotational journey. In this way you can set up a sequence of attacks across multiple rows and columns based on the rotation of the cylinder after each attack, but you need to balance this against the fact that you might need a situational ability at any point in time, so provision for such emergency measures is also something you have to weigh up – whether it’s worth dedicating a slot on the skill bar to something that you may or may not need at the time it crops up in the attack cycle. Think of it as introductory programming for drum-memory computers.

It’s a clever system and I like it lot, but the natural flow of the design is somewhat thrown out of the window by the use of an old MMO crutch mechanic which one would have hoped had been eliminated precisely due to the nature of the design of the rotating skill bar system, and that is the cooldown counter. The inclusion of cooldowns on skills potentially adds another layer of complexity for the spreadsheet wielding crowd who like to work out optimum skill rotation timings in World of Warcraft and the like, and I can see that the reason they were added is due to the fact that you can place a skill on each row of the rotating skill bar and thus, if it was a powerful skill, sit there spamming it to your heart’s content. However, it seems to me that the timed rotation of the skill bar lends itself perfectly naturally to being a built-in cooldown, all you would need to do is restrict the number of times you could place a skill on separate bars. Say it takes eight seconds to make a complete rotation through all skill bars, if you can only place a skill that it powerful enough to require an eight second cooldown on any one row, then you have your cooldown built in. You could split cooldowns further, every other row, every two rows etc. However, it may be that the deck building system of the skills may warrant having a skill with an eight second cooldown on more than one row, because you may use it at one point in your attack cycle, or choose to wait a while and use it in a different point in the attack cycle. If the system really is that deep, and can be fully utilised by players in a game where they need to be looking at the screen in order to maximise the twitch-based game-play, and yet still expected to watch cooldowns on a rotating skill bar, then I tip my hat to Spellborn International. For me though, the interface was becoming difficult to monitor whilst fighting when using only five or six skills in total, but you can potentially have a maximum of six rows with five skills in each. It’s a system that wants to be elegant, but I think its reliance on old MMO design elements has broken it in practise when combined with a first person targeting system.

I’ve experienced all of this through only the starter area, and people may decry my passing judgement based on such a small section of the game, but let me explain why starter areas are so important to me and why they are the simple Go or No Go flag by which an MMO earns my subscription or not. Starter areas are the filter through which all of your players will pass, like a prism filtering a beam of light, all players pass into the starter area and then refract out in a wide band to the various content that your game provides, be this quest regions restricted by level, game-play sections – PvE, PvP, Raiding – or various other segregations based upon your overarching design philosophy. How your starter area refracts your players will determine what paths they take, it colours their approach to your game, if you will. The starter area is important; where progression content and end-game content are what will ultimately keep players subscribing for years to come, the starter area will often determine whether you get those subscriptions at all. That is not to say that many players will be instantly turned off of your game by a poor starter area, but they will have been coloured by it, and the colour will be jade. Jaded as they are, many players will continue on, willing the game to prove them wrong and to provide them with the experience that they have been hoping for, but when they reach that inevitable level – 20 in many MMOs, 30 in others, but you know the level I mean – the grind will set in, the world begins to lose its lustre, and they will see it as the culmination of problems that they saw from the very beginning. They will feel that all the warning signs were there and that they can’t ignore them any longer, and they will leave. World of Warcraft had a horrible grind, lessened only somewhat in recent patches, in the mid-to-late forties; why did so many people stick with that game and ‘push’ through this hump and on to the end-game? I honestly believe it is because they have been filtered by the incredibly strong starter areas the game provides, and that the colour in this case is rose. Rose-tinted, they look back on the good times of their early levels and they give the game the benefit of the doubt that this is indeed only a hump, and that once they crest the brow of it they will be on the downward slope to enjoyable times once again. Go back to the starter areas in WoW and look around, observe the vast amount of content, the cities, the quest chains, the zones, the level of detail in everything, all of which mostly lies untouched these days. It seems like such a waste to have created this vast amount of content that was passed through only briefly, but that effort has been repaid through its contribution to retaining the huge subscriber base that the game now enjoys.

A thought: what if Blizzard had chosen to have only one starter area for the Horde, and one for the Alliance. What impact would it have had on the game? I think it would have a greater effect than many people would believe. WoW would still have been a success, the game is far more than just its starter areas. But the loyalty that it commands, the reason people just keep going back? That seed was sown in that first little village you ever entered, whose inhabits were having a problem with some critters that they needed you to kill ten of.

In summary, TCoS feels exactly like Tabula Rasa, Pirates of the Burning Sea and Auto Assault did when they were in open beta. A unique, visually impressive setting (which would be made that much better in this instance with the addition of a v-sync option so that I don’t have to look at two separate screen-torn versions of the world any time I pan faster than one degree per fortnight) wrapped around a game that is trying to do something different but which fails to convince me that it has at its core a substantial foundation of solid game-play to back up its ambitions. Like the aforementioned MMOs, it will most likely capture a small core enthusiast audience which is large enough to keep the game ticking over with a modest level of development and bug fixes.

For me, it’s another MMO for the ‘Non-starter, but hope I’m proven wrong’ pile, alas.