Tag Archives: dragon age 2

Thought for the day.

We wondered if part of the issue with Dragon Age 2’s mixed review success was down to the unfulfilled expectations that the game’s title invoked. Reviews might have been more favourable and the Internet outrage less if, instead of Dragon Age 2, Bioware had instead named it ‘Dragon Age: Don’t take it personally, Hawke, it just ain’t your story’

Quote MarkAnd although the combat is fairly frequent and repetitive, it is thankfully quickly dispensed with, and therefore never really gets in the way of this most excellent dating simulator.

                8/10

Skip to the end.

The Esc key has a magical meaning in Dragon Age II on the PC; it holds the same transcendent power that the fast-forward button on VCRs used to hold for dry-mouthed pimply youths, jumping and glancing nervously around at every noise – wondering if Mum or Dad had returned home – while they desperately skipped the tedious and seemingly pointless introductory discourse between the impossibly buxom and underdressed housewife and the plumber, so as to get to the bit where an entirely different set of plumbing gets a good seeing to. T’ch, I don’t know, kids these days with their ‘internets’, and ‘digital players’ which can skip straight to the action: there’s just no adventure and peril in perusing porn in the modern era.

At least, that’s what it felt like on my second play through. Having played my perennial RPG favourite of the heavily armoured do-gooding warrior woman the first time through, and having enjoyed the game to such an extent that the nature of the ending had left me wanting more, I decided to have another go on the Kirkwall carousel but this time as a mage. My choice was made primarily because I found the mage class in the game to be really quite groovy, with them having rather a flair for the dramatic when casting spells by whipping their staff around in a curious amalgam of Bruce Lee and Gandalf, and the fact that they didn’t necessarily have to be dressed entirely in bath robes (as evidenced by my post from last week), as though they were about to open the door to a rather burley plumber with a dangerously-bristled horseshoe moustache. In addition, what with mages being generally reviled and untrusted in the world of Dragon Age, it seemed a prime opportunity to test the age-old proverb ‘before denouncing a mage you should walk a hundred miles in their shoes’. Possibly because then, as the punchline goes, I’d be a hundred miles away from them, out of fireball range, with a nice pair of mage’s shoes.

I think the issue came from my immediately launching into the second play-through with the first still being fresh in my mind. As such, and despite my generally accepted poor memory, I could remember the nature of most of the conversations in the game. Therefore, although I genuinely did enjoy the talking more than the fighting the first time through, the second time around I found myself reaching for the Esc key and desperately trying to get the conversation over with so that I could be paid or otherwise rewarded – I was skipping to the money shot, if you will. I went with the sarcastic/humorous option in most instances, and was pleased to find that my character’s uncontrolled scripted responses also gradually changed to a more sarcastic tone compared to the blandly diplomatic responses that my angelic warrior delivered in the same situation, but at the same time I was disappointed to find out that it didn’t really make much more than a cosmetic difference in the vast majority of situations.

I’m caused to wonder again what impact these sorts of issues will have on Bioware’s Star Wars: The Old Republic, an MMO which as we all know is trying to introduce the ‘fourth pillar’ of entertainment, story, into the genre. In part, they intend to do this through the use of the conversation tree system for which they have become well known (famously or infamously depending on your view of such things) in games such as Mass Effect and Dragon Age. Even there, some players just want to skip to the money shot; other players are happy to allow the conversation to develop, perhaps feeling that the anticipation and delay helps build to a better climax when the conversation’s conclusion is reached; and yet other players really do enjoy the game for its immersive story, and truly appreciate the effort that goes into scripting and voicing multiple classes, sexes and ‘moods’ for the player character. The problem with the MMO, as it is with many of the genre’s technical and game-play issues, is what happens when you bring these disparate desires into contact with one another in an attempt to provide a shared experience.

Not only could the shared conversation experience be akin to trying to watch porn with friends and strangers, all of whom want to get the same thing out of it but at different levels of urgency, it’ll also have the obvious shared awkwardness factor that you’re a bunch of people trying to do something together which is usually performed solo, as a general rule. It’s a strangely compelling analogy, because in The Old Republic you’ll still be doing something that is inherently thought of as a solo activity, and you’ll still be doing it solo, it’s just that there will be other people in the room at the same time, all doing their own solo thing too; some will be trying to finish things off as quickly as possible and get the hell out of there, others will be trying to take their time and enjoy the experience, and yet others with no sense of decorum will be doing their best to ruin the experience for others by jumping up and down and waving their unfailing unimpressive epic purple equipment in the faces of those who are trying to concentrate on their own activities. Then there’s the fact that other people will be able to see how you do things: you’ll make a conversation option and then catch someone giving you a look, and you’ll be all ‘What?!’ in a defensive tone, and they’ll be all ‘Oh. Nothing’, and you’ll arch your neck and peer over to look at their conversation option out of the corner of your eye, see that they’re doing it a totally different way, and wonder whether you’ve been picking the wrong conversation options all this time. The next time you’ll try to hide your conversation away from the others, which just makes them all the more curious as to what you’re trying to hide, until you become so paranoid that you find you’re having trouble finishing your conversations, and eventually you can’t even manage to start a conversation with other people present.

Bioware have invested a huge amount of time and effort into the voiced conversations in The Old Republic, and I have to wonder just how wise that was as an entry into the MMO market, a genre whose fans are well known, trained almost, to skip to the money shot, while ignoring the story. The sad thing is that this may be what the majority of MMO players actually want now because they have become accustomed to the fact that the story is superfluous to the action, and as such it is quite often of a quality that is laughable at best. Just as there is a market for adult entertainment with a real story and quality acting, there is also a market for MMOs of the same sort, but it is a comparatively small market compared to the mainstream way of doing things. At the end of the day it’s quite possible that the vast majority people really are there for the action alone, and any pretence at story is just a compulsory framing device which is to be skipped past with all haste in order to reach the action before Mum or Dad gets home and finds you hunched red-faced over your computer screen with your keyboard in a sock.

Genre confusion.


So, my Mage in Dragon Age 2 has better armour than most of my MMO Warriors.

Next up, tree-hugging dwarves and drunk elves with biceps like boulders, I imagine.

Still, at least Bards will always be cannon fodder.

Cannon! Which is like canon! As in canonical! It’s fantasy canon! Do you see? They’re always… Do yo… oh never mind, I’ll just have some more wine.

Wine! Like whine! Do you see? Because I’m whini… oh. Right. Yeah. Sorry.

Hair News Now Today: Dragon Age 2 Edition.

New FlemethIntroducing a new branch of the News Now Today franchise, KiaSA presents Hair News Now Today, an in-depth feature reporting on the news, now, in gaming hairstyles, today.

For our maiden voyage into all things hair styled, we present Dragon Age 2’s coiffure queen: Flemeth; an entity who probably isn’t actually a maiden, might not even by human, and will probably annihilate us for objectifying her. But for an old bird she’s a bit of a fox; a foxbird perhaps then, or a birdfox. Either way, she’s rather hot, and we’re not just talking about the fire and flame leaking from her nostrils.

Our Flemeth has clearly grabbed some sponsorship from one or more hair care companies since we last met her! Marvelling first at the sudden improvement in glossy shine and flowing tresses in stark comparison to her former self Old Flemeth – Andraste knows how long it takes to wash all that, and how many bottles she has to take into the shower – we can also see that she’s gone in for a bit of hair dyeing, changing from her natural colour of Slightly Damp and Mouldy grey to a lustrous Slightly Divine and Minxy white.

But the question on everyone’s lips is: how much hair product does she need to get it to stay in that shape? We’re talking at least a seven or eight on the Hair News Now Today Spraycan-O-Meter. And in an exclusive reveal by KiaSA’s HNNT team, we’ve plotted data showing the times that Flemeth has washed and re-styled her hair along with the dates for each Blight since records began, and found that there is a direct correlation between Asha’bellanar (or Asha’BaByliss as her new corporate sponsors want her to be known in advertising campaigns) emptying half the world’s supply of hair aerosol into the atmosphere and the re-emergence of the Darkspawn.

Still, it’s nice to see that despite being the instigator of the scourging of the world on multiple occasions due to simple vanity, Flemeth continues to obey Health & Safety work regulations, attaching red warning tape to the sharp hair-horns that protrude a significant and perilous distance behind her head. We all know the dangers of working with a mad capricious shape-shifting dragon lady, but that’s really no excuse for not follow proper safety protocol and avoiding someone having their eye out on the end of one of those things, or being knocked unconscious when failing to duck under them in passing.

Reporting for Hair News Now Today, I’m Melmoth Melmothson.

Things to Do in Denerim When You’re Dead.

For those of you who were blissfully unaware, Friday was MMO Hard Disk Drive Destruction day. It seems that I’m one of the few people who celebrate this holiday, and it was with great excitement and anticipation that I got home from a long hard day at work, entertained my daughter for the evening and popped her to bed, before turning on my PC and finding that the HDD which was home to all of my MMO games had decided to retire from this life. Insert your own favourite line from Monty Python’s Parrot Sketch here. I don’t know why these things always happen on a Friday, but the fact that it is currently the one day of the week where I get together with a bunch of friendly others from the pool of Van Hemlock static group gamers and enjoy some hot MMO group action, probably has something to do with it. Thankfully I managed to recover the data from the expiring drive by using a little bit of trickery involving other operating systems less fussy than Windows, external cables, a Big Hammer, lots of swearing, and the customary blood sacrifice of a virgin – although I didn’t have one to hand, so I just used virgin olive oil instead; you can also use sesame seed oil if you prefer your sacrifice to have a more ritualistic smoky aroma. So I saved myself many gigabytes of downloads and many hours of painful UI customisation for my various characters across the multitude of MMOs that I play, but in the meantime I had some time on my hands, so I got around to finishing a few non-MMO projects.

Firstly, I finished reading The Wise Man’s Fear, the excellent follow-up to Patrick Rothfuss’ first book The Name of the Wind. It’s not hard to describe why I like the books so much, I think Rothfuss has a style of writing that is very easy to read, compelling without taking itself entirely too seriously, while maintaining a healthy balance between light and dark subjects. I put him very much in the same camp as Joe Abercrombie in this respect, although Rothfuss’ story tends towards the lighter side of fantasy, it serves only to make the dark moments that much more intense and emotionally fraught; Abercrombie’s tales, on the other hand, tend to run towards the dark side of human nature, while occasionally punctuating the darkness with bolts of light humour and joy. The character of Kvothe is pitched just the right side of brilliant and self-assured, without being obnoxious, and the world which he inhabits is fascinating, from the systems of magic, to the hand-talk of the Adem mercenaries, all the way down to the myths and legends, of which Kvothe himself is destined to become a part. If you haven’t tried Rothfuss’ books yet and you’re a fantasy aficionado, I couldn’t recommend them highly enough. And as evidenced by Rothfuss’ latest blog post, where he points out that The Wise Man’s Fear is currently number one on the New York Times Bestsellers list, it seems that many other people are in agreement. What’s more, towards the end of his post, Rothfuss describes how he feels that he needs to do something a ‘little bit rockstar’ in order to celebrate this success, and so what does he propose?

“Maybe I will also drink some rum while I play Dragon Age. Because… well… because I can. And because that makes it just a little bit rockstar. It doesn’t hurt to be just a little bit rockstar sometimes…”

Which brings me nicely on to the second thing I did in-between hitting a hard disk drive with a virgin while sacrificing a hammer to the gods (what can I say: it was late, I was a bit drunk, and I got the instructions upside down): I finished my first play-through of Dragon Age II. I enjoyed the game a great deal, but I’m very much a story person when it comes to Bioware games these days; I couldn’t really discuss the combat in much detail because I set the difficulty to casual, and as such there were perhaps only three fights which required me to drink a potion, let alone worry about tactics other than ‘Darkspawn? We attack! Huzzah!’. I found the companion characters to be interesting takes on standard fantasy tropes, and I enjoyed the voice acting on the whole; as I stated on Twitter, my favourite line in the game having to be Isabela’s “I like big boats and I cannot lie”. The city of Kirkwall is breathtaking (be sure to look up and take in the sights on occasion), and although the locations within it become familiar to the point of being mundane once you’re running through them for the eleventeenth time, I felt that the city never lost its sense of scale. Other than that, it’s a standard Bioware RPG, if you’re any sort of CRPG gamer then you know what that means, and you’ll also know whether it will appeal to you or not. If you want me to try to sway you, I’ll simply say: decent plate armour for female characters, woo! And I’ve included a screenshot of my Melantha Hawke in a favourite armour set from the game.

Contrast that with my High Elf warrior in Rift, who could be fighting off death invasions, or modelling for the cover of Heavy Metal Illustrated, hard to tell. I’m still not finding myself excited by Rift. I’m enjoying it as a dabbling diversion when other games aren’t drawing down my attention, but there’s something about the game that prevents me from being infatuated with it to the point of ignoring all other games, as I have done in the past with, for example, World of Warcraft and Lord of the Rings Online. Part of my issue is the global cool-down system for combat, which I don’t find to be the purported system which ‘allows me to carefully consider my options’, but instead something which restrains me and constantly calls me to heel. I imagine it’s the same sort of frustration felt by two dogs trying to have a loud and tooth-filled debate on who is the best at being a loud tooth-filled debater, while both are muzzled with their owners constantly yanking them away from one another by their leashes. It’s a shame, because the reactive abilities that the game includes – which are off the global cool-down and thus allow you to do something useful while waiting for your main abilities to come off their European Work and Time Directive mandated 1.5 second tea break – are an excellent way to break the system up, giving the player something to do in the meantime. Make the reactive abilities less powerful, maybe make them short duration buffs, say, and you could give players something to do during the global cool-down which would help during combat without unbalancing it. A two tier system, with the main abilities all on the global cool-down, but with a wealth of secondary abilities off the global cool-down, could create quite an interesting system, and one where I don’t feel frustrated at having to spend thirty seconds of a one minute fight chin-on-hand and staring at little glowing clocks counting down on my hotbars. There are reactive abilities in the game, but never enough to make the system as interesting and engaging as I feel it could otherwise be. My other issue at the moment is the fact that I decided to play a Guardian, mainly because being utterly agnostic in real life, I tend to veer towards heavily religious groups in my fantasy escapism, much as being utterly male in real life, I tend to veer towards heavily female characters (read into ‘heavily female’ whatever innuendo you so choose) in my games. The problem with the Guardians is that the first area in the game proper where they adventure is Silverwood: a big bright ancient fantasy forest, full of elves and goblins and ruins, straight out of the fantasy cliché text book. Not a problem, this is a fantasy MMO after all, but after you finish with Silverwood, the levelling conveyor belt passes through border control and takes you into Gloamwood… a big dark ancient fantasy forest, full of wolves and ghosts and ruins, or Silverwood II: The Gloomening, as I have come to call it. My character is level twenty four, and I’m really starting to struggle to carry on with the Kill Ten X quests interspersed with the occasional frantic frenzy of fighting a rift, which alas is nothing more than a zerg wrapped in the illusory cloak of cooperative game-play. Adventuring in Gloamwood feels like I’m still stuck in Silverwod after all this time, only someone has turned the gamma down, presumably to enhance the feeling of depression the player experiences as they’re told to go and find some bat wings because Random Quest Giver X needs them to create Token Artifact Y, in order to progress Arbitrary Plot Device Z.

Still, I’ve got plenty to be getting on with elsewhere, which is another reason why Rift is perhaps not capturing my imagination like I feel it should. I’m starting my second play through of Dragon Age II, this time as a mage, to see how the sissy-robe-wearing set like to live. I’m also still enjoying my time in Lord of the Rings Online, with the Burglar coming along nicely, albeit a bit slowly what with the abundant distractions provided by single player games, books and spontaneously exploding hard disk drives.

It’s like déjà vu all over again.

The finest thing about Rift for me, so far, is the fact that I can get bored or frustrated with my character’s build and simply tuck it away and try a new role without having to start the character again from scratch. For an altoholic (I’ve decided to start a support group and call it Altoholics Unanimous) like myself it’s an invaluable aid to avoiding burnout in an MMO.

Dragon Age 2, which I’m also currently playing, has a piece of DLC called the Black Emporium which, amongst other things, allows you to completely change the appearance of your character, akin to the ‘barber shop’ functionality in World of Warcraft and Lord of the Rings Online. In combination with this are potions which can be bought very cheaply from many merchants, and which allow the player to reset their character’s ability points, essentially allowing them to change the way the character plays within the chosen class.

I like this increasing trend in RPG games at the moment: there seems to be an understanding on the part of developers that players get bored or frustrated with options in RPGs, that choices made in the early stages of a game can become weights which prevent a player from continuing, and that it’s better to give the player some freedom of choice in these things, rather than obstinately force them to continue for reasons that from a player’s perspective are hard to perceive as being reasonable.

It’s these simple things that have kept me playing two games that I might otherwise have given up on, having otherwise found myself burnt-out while trying to find a character with which I was comfortable playing for fifty hours or more.

Reinvent, not re-roll. Re-specialise, not rebuild.